Nora Barry has written for major newspapers and online publications with a focus on technology, media, politics, cinema and digital film. She has also contributed chapters to a number of books and journals, writing about emerging forms of web video and digital narrative.
Media Outlets
The Wall Street Journal The Philadelphia Inquirer Reuters Technology Times True/Slant (A Forbes Publication) Inc. Magazine Culture 11
Medea Madness: The Image of Working Mothers on TV. (2010). Pink Television: Sixty Years of Women on TV. Kendall Hunt Press.
Webcinema: The Cybernetic Image.(2006).Italy. Introduction.
Descent to the Underworld:A Case Study in International, Educational Collaboration.(2006).A White paper prepared in conjunction with the Access Grid of the Argonne National Laboratories at the University of Chicago, for the National Science Foundation.
Descent to the Underworld.A Minima, Journal of New Media.(2006). Spain.
Story Forms. Remixing Narrative Media.(2005).University International of Andalusia Press, Seville, Spain. Talking Pictures: NetworkedCinematic Technologies. (2005). Human Affairs Journal.The Slovak Academy of Sciences, Slovakia.
Telling Tales Online: A History of Web Cinema.(2004).An Anthology on Electronic Digital Media and Electronic Culture.Published by: The Academy of Fine Arts and Design, Bratislava, Slovakia.
Telling Stories on Screen : A History of Web Cinema.(2003).Future Cinema:The Cinematic Imagery After Film. MIT Press.
Digital Shanachies.(2002). TakeOver: Who’s Doing the Art of Tomorrow. Ars Electronica Press. Linz, Austria.
Scripts
Intervals. A 12 part TV series of interstitials, introducing children to musical concepts. Written for the Philadelphia PBS affiliate. The Beating Heart. A movie script written for the direct-to-video market. T.Rex. A movie script written for the family direct-to-video market. Trackers. A movie script written for the family direct-to-video market
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